And yet, when I saw that the legendary progressive rock band King Crimson, in its eighth incarnation, was on tour again, I was reminded that there was one night, nearly thirty years ago, when I did play an instrument, in a band, before an audience, capably. And we were great. As much as anyone, the man responsible was Robert Fripp, King Crimson’s cerebral, brilliant, exacting, intimidating lead guitarist.
Wednesday, 12 November 2014
Surviving a Weekend with the Wizard of Prog Rock
All my life, I have loved music, and never in my life have I been the tiniest bit musical. Not only can I not sing in tune, I cause others to fall off key. Not only can I not dance, my dancing has often caused injury to others, most memorably on a St. Patrick’s Day in Chestnut Hill, Pennsylvania, when at the conclusion of a dance I exuberantly dipped my wife-to-be and smashed her head into a door frame. I took guitar lessons for two years, giving up only when my teacher noted that inasmuch I had never been able to tune my instrument, or even tell if it was in tune, I would probably always—his word—stink. Clap in time? Forget it.
And yet, when I saw that the legendary progressive rock band King Crimson, in its eighth incarnation, was on tour again, I was reminded that there was one night, nearly thirty years ago, when I did play an instrument, in a band, before an audience, capably. And we were great. As much as anyone, the man responsible was Robert Fripp, King Crimson’s cerebral, brilliant, exacting, intimidating lead guitarist.
And yet, when I saw that the legendary progressive rock band King Crimson, in its eighth incarnation, was on tour again, I was reminded that there was one night, nearly thirty years ago, when I did play an instrument, in a band, before an audience, capably. And we were great. As much as anyone, the man responsible was Robert Fripp, King Crimson’s cerebral, brilliant, exacting, intimidating lead guitarist.
Subscribe to:
Post Comments (Atom)
...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?
Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.
No comments:
Post a Comment