Adept at classical, blues and rock, Hackett is without question one of the most gifted, melodic and poetic guitarists to strap on a guitar.
Hackett’s latest 2012 release, “Genesis Revisited,” features cover versions of original Genesis works with various guest vocalists. His efforts did not go unnoticed, winning over hardcore Genesis fans and he was the recipient of the “Event of the Year” award at this year’s Progressive Music Awards at London’s Hammersmith Apollo.
“I started touring this ‘Genesis Revisited’ show at the beginning of the year,” says Hackett. “It has been extraordinary. It just seemed to be selling out everywhere. Genesis music is the star of the show. That’s how I see it.
“People want to hear that music. People went to see a version of the band in the 1970s when it existed at its weirdest and arguably most wonderful. It’s been an absolute delight doing this stuff again. Those songs are my constant companions and were very, very good to me over the years.”
After joining Genesis in 1970, Hackett made his recording debut with “Nursery Cryme” (1971). His musical impact was felt instantly on the songs “The Musical Box” and “Return of the Giant Hogweed,” which showcased his unique guitar-tapping technique. “Foxtrot” (1972), featuring Hackett’s signature piece “Horizons,” was a breakthrough, reaching No. 12 on the U.K. charts. “Selling England by the Pound” (1973) offered “Firth of Fifth,” featuring one of Hackett’s most recognizable guitar solos.
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