Thursday 7 March 2013

UNREAL CITY: Heroes of Modern Italy

On the walls hung wire baskets with ferns in them, alternating with brackets carrying plaster statuary— Garibaldi, and the infant Samuel, and Queen Victoria, and other heroes of modern Italy.                                                                                                  Kenneth Grahame Wind in the Willows

Italy was always a country that embraced progressive rock music more than other countries. I have never actually known why, but as they - as a nation - are also responsible for some of the world's most delicious wine and cheese, not to mention Michaelangelo, The Renaissance, Giovanni Guaresechi and Garibaldi biscuits (I'm not sure of the last one) they are obviously a nation with good taste.

So, why am I talking about Italy? Its simple. This morning I got accosted by a charming young lady. When I say accosted I mean that she sent me a Facebook IM thing, to tell me about her band. This happens quite a lot, but on this occasion the band are really rather good.

For one thing, the band are called Unreal City which is a very cool name because it references T.S.Eliot's The Wasteland, which in turn references Baudelaire, which is - in turn - no bad thing. As so many of the bands who send me stuff are called things like Godvomit or YogSagit the Unwholesome to have a band with peerless literary antecedents is rather refreshing.

Secondly, they can play. That's not fair, most of the bands who send me stuff can play, but this rather cool Italian four piece know the value of musicianship and ensemble playing over rushing about and making widdly woo noises. They can also write a good tune and as Brian Epstein said in his last interview "a good tune will always be the next big thing". Now, I have had a strange sort of day and it is gone 1:00am as I write this, and I haven't got the citation with me, but I am sure that he said something to that effect.

And thirdly the singer can sing. There is a disturbing trait in modern music of the heavier kind to substitute a singer with someone who sounds like an angry male wildebeeste in musth clearing his throat. The vocals on this fine little EP are really rather good, and for some reason remind me of the dear departed Nico on Desertshore.

The three songs are melodic and clever, with intricate but never overblown arrangements, and I am very much looking forward to hearing the album!

Their biography reads:


The band was born in 2008 from the ashes of The Syllogism, and was founded by Emanuele Tarasconi (piano, organ, synths and voice) and Francesca Zanetta (guitars). In the beginning Unreal City were a power trio with synths, guitars and drums (with drummer Carlo Rainone), but in 2011 the band decided to include a bassist in the formation with the join of Francesco Orefice. The same year Rainone left for personal reasons and new drummer Antonio Schingo replaced him.

During spring 2012 Unreal City recorded their first totally autoproduced self-titled EP, which has been released in June 2012 and contains three mini suites with English lyrics: "Apparent Death (The Thanatosis Effect)", "Between The Devil And Me", "Little Will (Under The Ghostwood)". Conseguently to the release of the new EP the band took part of several contests and won many of them, including NeoDOP music contest in Parma and a silver medal at Liber@mente contest in QuattroCastella (RE).

The increasing of live performances and personal issues led Antonio Schingo to leave the band during summer 2012; after few auditions the band chose the drummer Federico Bedostri as new member.
In summer 2012 the band met Fabio Zuffanti (Finisterre, Maschera di Cera, Hostsonaten...), who decided to assume the artistic direction of the band for their debut album under Mirror/BTF label.

For the occasion, Unreal City decided to homage Italian progressive rock by re-writing every songs' lyrics in Italian. The album, which contains 6 tracks including one long suite, has been recorded at Hilary Studios in Genoa during January 2013 and will be released during spring 2013.

Members:
Emanuele Tarasconi (piano, organ, synths and voice)
Francesca Zanetta (electric and acoustic guitar)
Francesco Orefice (bass)
Federico Bedostri (drums and percussions)

more infos at:

contacts:

No comments:

Post a Comment

...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?

Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.