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How much regard do you have for your legacy?
Well, it's not for me to regard. Graham and everybody had their work cut out for them with this beautiful package. I had a roomful of tapes about the size of two garages, and someone had to go poring through them and find the best versions of [these songs]. Legacy is something you talk about when you are finished, and I'm not finished. To answer invites too much speculation about how much self-regard I have. Ask Crosby that, but not me [laughs].
Well, it's not for me to regard. Graham and everybody had their work cut out for them with this beautiful package. I had a roomful of tapes about the size of two garages, and someone had to go poring through them and find the best versions of [these songs]. Legacy is something you talk about when you are finished, and I'm not finished. To answer invites too much speculation about how much self-regard I have. Ask Crosby that, but not me [laughs].
What is it about Graham Nash that made him the perfect curator of this project?
He's got the patience. It's also an organizational skill. He's got that kind of mind. He's got filing skills, if you will. He's got a great memory and he can listen to all this stuff – hours and hours and hours. He would find these chesnuts – I wouldn't have had the patience.
He's got the patience. It's also an organizational skill. He's got that kind of mind. He's got filing skills, if you will. He's got a great memory and he can listen to all this stuff – hours and hours and hours. He would find these chesnuts – I wouldn't have had the patience.
Read on...
STEPHEN STILLS AT GONZO
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