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Tuesday, 16 July 2013

‘It’s a quite astonishing piece of work’: Geoff Downes talks up Yes’ often-forgotten "Drama"



Geoff Downes’ involvement with Yes began at a crossroads moment for the band, as he replaced long-time keyboardist Rick Wakeman even as original frontman Jon Anderson departed. He still understood the opportunity.
“In some ways, it was a stepping stone,” says Downes, who would go on to the supergroup Asia before returning to the fold for Yes’ 2011 album Fly From Here. “But I think it was a real privilege to play with a band that was so revered. As a keyboard player, coming into someone like Rick Wakeman’s shoes — it was a challenge.”
The resulting album, 1980′s Drama, would focus more on guitarist Steve Howe — dividing the loyalties of Yes’ fanbase. But not Downes’.
“I’m actually very proud of it,” he says, in this newly posted video. “I think, in hindsight, it’s a quite astonishing piece of work — particularly when you think that we’d only just come together as an outfit. I’m really proud of some of the material. The performing on there, and the parts — the whole way it’s put together, the contrasts, the different songs like “White Car” or “Run to the Light,” then you’ve got the epic “Machine Messiah” and this frantic track “Tempus Fugit.” I think we definitely had something right with that album; certainly, the chemistry of those involved was definitely working.”
Anderson eventually returned for 1983′s 90125, and by then Asia had become home for both Howe and Downes. Trevor Horn, who had briefly filled in for Anderson, moved to the producer’s chair for Yes — but the music of Dramawould become unplayed on subsequent tours, and largely forgotten.
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