Showing posts with label geoff downes. Show all posts
Showing posts with label geoff downes. Show all posts

Thursday, 4 July 2013

NEW BAND FOR GEOFF DOWNES (no relation)


DECKCHAIR POETS - Who Needs PyjamasDECKCHAIR POETS -
Who Needs Pyjamas
Never the one to slow down, Geoff Downes, formed new band – all without severing his obligations with YES and ASIA – with kindred spirits Nick D’Virgilio, a drummer mostly known for his work with SPOCK’S BEARD, and singer Lynden Williams of JERUSALEM, whose only album, produced by Ian Gillan, is a cult classic. This new band is called DECKCHAIR POETS, and their debut, “Who Needs Pyjamas”, is out on Angel Air on October 7th.
Says Williams, “It was obvious from the fun nature of ‘Pyjamas’ songs that they could not be released under the JERUSALEM banner and a new name was needed. Geoff and I considered, at our time of life we should be sitting on a beach somewhere reciting amusing limericks and thus the name appeared”.

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Wednesday, 24 April 2013

YES' GEOFF DOWNES - "We've Discussed The Possibility Of Doing Another Album Next Year"

Prog giants YES are currently in the throes of a mammoth tour on which the band will be playing in their  THREE of their classic albums, namely The Yes Album, Close To The Edge and Going For The One. Yet again, the lineup is reconfigured but still strong, consisting of guitarist STEVE HOWE, bassist CHRIS SQUIRE, drummer ALAN WHITE, new vocalist Jon Davison and keyboardist GEOFF DOWNES, who I had the pleasure to chat with backstage at Toronto's venerable Massey Hall recently.

"It's all quite difficult," begins Downes, also of BUGGLES and ASIA fame. "Yes music is complex by default, and I think that you look at the stuff like 'Awaken' off of Going For The One and some of the stuff off Close To The Edge, it's quite demanding material. Not just for a keyboard player, but to get the whole band gelling together, to be able to perform it. So it's been a lot of work to get it up to speed, but I think we've got to the point now where we're actually playing the albums very well, and it's very rewarding to come up on stage every night after delivering these monumental pieces of work."
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Tuesday, 23 April 2013

LINK: ‘It’s a pretty daunting task’: Yes’ Geoff Downes on following Rick Wakeman, and avoiding the capes


When Geoff Downes was invited, along with fellow Buggles co-founder Trevor Horn, to join Yes just before 1980′sDrama, the keyboardist was taking over a seat once warmed by the legendarily talented, and memorably caped Rick Wakeman.
“It was an awe-inspiring challenge, really — in many respects,” Downes says, in the attached video. “It’s a pretty daunting task.”
Horn assumed vocal duties from Jon Anderson for Drama, before moving to the producer’s role for subsequent efforts like 90125, Big Generator, and Fly From Here. Downes subsequently left to form Asia in the early 1980s, but has since returned for 2011′s Fly From Here and its subsequent tours.
Downes says he considered, briefly, donning a cape similar to Wakeman — but wasn’t sure if he could pull off that legendary sartorial choice. “I thought about the cape,” Downes says, laughing. “But I avoided that one. Rick Wakeman was very good with his capes, and he still is, as far as I know.”
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Thursday, 11 April 2013

GEOFF DOWNES INTERVIEWED


Alexandria Robbins
Hey Geoff! How did you get your start as a musician/keyboardist? Is this what you always envisioned doing with your life or did you dream of doing something else? You are an incredible musician and I can’t imagine the music world without you.Hi there. I started piano lessons when I was 6 years old, then took up classical organ a few years later (my dad was a church organist). I don’t think there was much else I wanted to do other than a career in music. I had a stint as a landscape gardener in the gap year between senior school and music college, but I wasn’t too good at that – I didn’t know my patios from my pools! Hopefully I made the right choice. PS I’m not planning on retiring for the foreseeable future you’ll be pleased to hear ☺
Blair Barbero
I would like to know who Geoff’s musical influences were in his early years. And…Thank you for decades of awesome inspiration!
I was primarily influenced by English church music when I sung in choirs as a boy. Other European composers – Handel’s Chorales, Bach’s organ works, and Haydn along with the likes of William Byrd and Thomas Tallis were all part of my staple diet. When I got introduced to rock music, I was heavily influenced by the wave of British keyboard-based ‘underground’ bands of the late 60s such as Procol Harum, Caravan, The Nice, and even – Yes! Then when I went to Leeds Music College, I really got into avant-garde Jazz and big band arranging. After I had graduated I moved to London and got into a lot of dance and disco music doing session work in that particular field. I think it’s fair to say my influences have been quite diverse over the years.
Paul Michael Moon Rogers
When I heard, through our mutual friend Jon Dee, that you were going to be performing Awaken last year I was initially shocked that this lineup could be THAT brazen. “Is _nothing_ sacred” was the thought that went through my mind. I mean that’s a Jon Anderson signature piece. When I heard that you’d performed it excellently and I saw some YouTube videos that backed the glowing reviews up I realised that this lineup could do anything. Now you’re doing CTTE *and* Awaken. What’s next? ‘The Remembering’ and ‘The Gates of Delirium’? Or… ‘That that is’ (one can only hope). My question… Are you enjoying performing Yes epics?
It takes some time get to grips with a piece such as ‘Awaken’. Like many of Yes’s longer epics, it is made up of a number of scene changes and development of motifs which recur during the piece in different guises. I think we do a pretty decent version of this particular song, and it is an uplifting but challenging piece to pull off. I think if I put my mind to it, I would hopefully be able to play many of the other pieces from their vast catalogue – but ‘Gates’? We’ll see. That’s a tough one! Either way, it’s enjoyable to analyse the songs, play this great music and hear what intense detail and ideas went into the original recordings.

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Thursday, 21 March 2013

Geoff Downes of Yes, Asia and The Buggles is Kind of Responsible for MTV

Yes.jpg
Yes

If known only for being a member of The Buggles, keyboardist Geoff Downes would still have a place in rock history. "Video Killed The Radio Star" was the first video played on MTV way back in 1981. But Downes' greater commercial success came as a member ofAsia and Yes. Currently recording and touring with both bands, Downes is certainly one of the busiest keyboardists around.
From a tour stop in Aspen, Colorado and in anticipation of Yes' show tonight at the Verizon Theater, Downes spoke with DC9 about his four decades in new eave and progressive rock.

You were just in Dallas a few months back touring with Asia.
It just kind of worked out that way. That's just the way things get thrown up sometimes. Neither band did Texas for quite a while before that ,so it's nice to be coming back in very quick succession.
Is it difficult splitting time between Yes and Asia?
At the moment, it's not so difficult, because I had an intense tour with Asia last year and we are taking a little break right now. It's a privilege to play in both bands.
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Rock of the 70s
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Wednesday, 6 March 2013

INTERESTING 2011 INTERVIEW WITH GEOFF DOWNES (No relation)

Many people can tell you that The Buggles’ ‘Video Killed The Radio Star’ was the first video played on MTV 30 years ago.
But only Geoff Downes can say he was the first thing you heard when that video started rolling.
Downes was The Buggles’ keyboardist, and it was his spacey, tinkling piano riff that opened the futuristic new wave track. But that’s hardly the only highlight in his three-decade career.
The 59-year-old Brit is one of pop’s unsung musicians. He and bassist Trevor Horn formed The Buggles in the late ’70s, hitting No. 1 on the U.K. charts with ‘Radio Star.’ In 1980, the duo joined prog-rock heroes Yes for the albumDrama. Two years later, Downes found massive success as the keyboardist with rock supergroup Asia — a band later discovered by a new generation thanks to South Park and The 40-Year-Old Virgin.
Oh, he also joined the Guinness Book of Records — for playing the most keyboards on stage in one performance, 28.
Thirty years later, Downes is back with Yes. He helped write much of their new album,Fly From Here — produced by his old Buggles partner Horn. Downes and the group’s latest lineup — longtime members Steve Howe (guitar), Chris Squire (bass), Alan White (drums) and new vocalist Benoit David — toured the U.S. with Styx this summer and will kick off a European tour in November.

Pop-Break’s Brent Johnson spoke with Downes via phone about Yes’ new project, his MTV legacy and whether the internet has killed the video star …
Pop-Break: You only played on one Yes album before this, right?
Geoff Downes: Yeah, in 1980, we didDrama. And in fact, the song ‘Fly From Here’ was written around then — we just never got the opportunity to finish it. And I think that was one of the reasons Chris Squire got Trevor involved [with the new album]. He always thought that song maybe should have been included [onDrama]. So I think when the opportunity to record a new Yes album came up, everybody felt it was a good time to review that song.
PB: How did it feel to be back in the studio with Yes after 30 years?
GD: It was really great fun. And obviously, I’ve worked with Steve a lot over the years with Asia and various other projects. It was nothing unusual for me to be in a room with Steve. Also, Trevor was there all the time, as well. It wasn’t so weird. Having said that, it was still very, very exciting to me to be involved with the guys of Yes.
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Rock of the 70s
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Saturday, 23 February 2013

Yes/Asia Keyboardist Geoff Downes’ Daughter Passes Away



Some tragic news to report regarding the family of Yes and Asia keyboardist Geoff Downes.  The veteran prog-rock musician has revealed in a post on his official website that his youngest daughter, Alexandra, has died.
In the message, Downes writes, “I am deeply grateful for all the messages of sympathy and support we have received following the tragic death of my beloved and irreplaceable youngest daughter.”
We would like to offer Geoff and his family our condolences at this tragic time.
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