Showing posts with label merrell fankhauser. Show all posts
Showing posts with label merrell fankhauser. Show all posts

Friday, 31 May 2013

MERRELL FANKHAUSER REVIEW


Artist: Merrell Fankhauser
Title: Area 51 Suite
Genre: Space Pop
Release Date: 4th March 2013
Label: Gonzo Multimedia

Source Link:

It has been several years since Merrell Fankhauser released new studio recordings (he has released several compilations and DVDs over the years as well). Rockin and Surfin was a 2004 release that I recall enjoying immensely so it came as no surprise that I had a similar experience listening to the latest release Area 51 Suite. Keep in mind music fans that Fankhauser has been getting it done in the recording studio since the 60s and has overcome health issues and every other obstacle thrown in his way to continue to entertain us all. There are two versions of the release available, the CD and the CD/DVD which features music videos and interviews with people from the ET and Sci-Fi community.

This collection of tracks is referred to as space pop. A lot of it as one would suspect if you are familiar with Fankhauser’s work, is influenced by surf. The subject matter is about space and extraterrestrials but I would classify most of this recording as instrumental with wide range of influences coming together at once to form this hybrid of the referenced “space pop.”

The first and title track “Area 51” effectively creates an air of mystery and intrigue. Certainly that was the intent so mission accomplished and a great way to open the curtain to the show. “Signals From Zoran’” which is also an excellent track, takes a page out the surf-instrumental book. The following track “Stardazed” is slower bluesy like ballad that puts you in a starry eyed mood and just may have you looking up at the sky wondering who is out there watching us. “Bimini Road” which is an underwater rock formation near North Bimini Island in the Bahamas, is very appropriately a surf-blues number that takes you on an underwater adventure. Instrumental music, if it is very good, takes little time to create a picture of the track title in your mind, here again Fankhauser succeeds.

“Shadow People” is a very picturesque instrumental that brings those people in the shadows to life. The music flows along and rocks its way into your psyche making it inevitable that you start thinking about unexplained phenomena and people on this earth that we have no knowledge of or why they are here. It one of the more complex and changing tracks that takes things to another musical level for the artist. Then to switch things up yet again “Cocktails In Space” is entirely different than all the previous tracks and it includes a segment where a flute comes in giving it new age feel and texture.

When “Crash Landing” comes at you with a synthesizer depicting a spacecraft coming your way and Merrell’s guitar kicks in it forms a spy thriller surf sound that keeps you hooked throughout. This track was the one that reminded a lot of his previous surf-instrumental work. Many of the tracks begin with a spacey laser or craft landing like sound to make sure you are staying with the overall Area 51 Suite theme.

The biggest treat for old and new fans will be Fankhauser’s most prolific track “Calling From A Star.” I go back to 1999 with Merrell and that is when I first heard this amazing track. The title says it all and his voice is exceptional, backed by perfectly placed instrumentation. I don’t think he could have recorded a better track in his long and influential career. Every track offers the listener something different and even though the premise is visitors from outer space you will hear the diversity of an artist on display at every turn. Surf, space, pop, rock, blues, and country, just about every main genre, gets superb coverage on this eclectic slice of musical excellence.

This is a solid release and I have to say one of Merrell Fankhauser’s most exceptional releases in his career. He has made some great music over the years and this gives us all a reminder once again of his importance to the history of rock music and how his capabilities to entertain have not waned. His candle is still burning brightly and Area 51 Suite gives you a one way ticket to the stars. Don’t you give up hope down there; they are coming back again…

5/5 Stars

Key Tracks: Area 51, Calling From A Star, Crash Landing

Keith “MuzikMan” Hannaleck-Founder MuzikReviews.com

May 11, 2013

©MuzikReviews.com

For Questions Or Comments About This Review Send An Email To info@muzikreviews.com

Tracks:
Tracks:
1. Area 51
2. Signals From Zoran
3. Stardazed 
4. Bimini Road 
5. Catalina USO 
6. Crash Landing
7. Aliens In The Mist
8. Shadow People 
9. Cocktails In Space
10. Lost Continent Blues
11. Alien Talk
12. Calling From A Star

Disc 2
 1. Area 51 
2. Vitina Marcus: Interview
3. Alien Talk
4. Dr. David Jungclaus: Interview
5. Out on the Desert
6. The Little A'le'inn 
7. Beyond The Rainbow
8. Calling From A Star


Keith “MuzikMan” Hannaleck


CURRENTLY AVAILABLE AT GONZO
Rainbow Bridge Revisited
DVD/CD - £9.99

Area 51 Suite
2CD - £9.99

Tiki Lounge Vol 1
DVD/CD - £12.99

The Best Of
2CD - £11.99

The Return To Mu
CD - £9.99

Tiki Lounge Vol 2
DVD/CD - £12.99

Wednesday, 29 May 2013

MERRELL FANKHAUSER ON COAST TO COAST AM

Jon,

My new CD "Area 51 Suite" is getting great response from radio & Press! I will be on "Coast To Coast" AM Radio Saturday June 1st from 10 pm to 12 am PST.

Please give this a mention, its the biggest talk show in the U.S., with millions of listeners!

Best Always, Merrell


http://www.coasttocoastam.com/


Monday, 6 May 2013

Wednesday, 27 March 2013

MERRELL FANKHAUSER AREA 51 REVIEW


Although Merrell Fankhauser requires no introduction, I’ll go ahead and share some of his accomplishments anyway for the newcomers reading this.

Starting life in the early sixties with the Impacts, who hailed from Southern California, the singer, songwriter and multi-instrumentalist went on to play in a number of equally celebrated bands such as Merrill and the Exiles, Fapardokly, HMS Bounty and MU. He’s also had an acclaimed solo career, and one of his most recent bands, Fankhauser-Cassidy, included the late great Spirit drummer Ed Cassidy.

Covering everything from surf rock to British Invasion styled pop to folk rock to psychedelic exploration to blues to progressive rock, Merrell has mastered each genre with remarkable insight and intuition. By splashing his own unique take across the landscape, he creates sounds that are exciting and original.

Merrell’s latest offering, “Area 51 Suite” draws inspiration from Area 51, an army base located in the Nevada desert where it is widely believed objects and possibly even entities from outer space exist and are hidden in secret chambers. A double disc selection, the project does a brilliant job capturing the mood of its subject. Shadowy contours converge with a sense of mystery and mystique, making the listener feel as if interdimensional beings are peering at them either through the windows of airships or behind the hungry shrubbery dotting the dry terrain.

Dominated by instrumentals, “Area 51 Suite” flows and flourishes with gripping gestures. Both “Crash Landing” and “Aliens In The Mist” rumble and rustle with reverb-rigged surf rock currents, while “Area 51” slithers and slides with caution and anticipation to the sparkly finish of tingly melodies and picturesque textures. Stitched of warm and solid riffs, “Signals From Zoran” melts and mushrooms into a thrilling crescendo, where “Bimini Road” and “Stardazed” favor a slower and soothing approach devised of honey-drenched blues and tropical island influences. Whiney country flavored licks, complemented by the whistling toot of a flute, steer the point home on “Cocktails In Space” and “Lost Continent Blues” mixes jazz, rock and blues into an unconventional brew of freewheeling frolic. The reggae-infested “Alien Talk” and the polished pop rock fixings of “Calling From A Star” are the two vocal tracks heard on “Area 51 Suite,” and as an additional bonus, there’s “Extra Televisual,” an entertaining film starring Merrell, friend and aliens.

Read on...

CHECK HIM OUT AT GONZO

Rainbow Bridge Revisited
DVD/CD - £9.99

Area 51 Suite
2CD - £9.99

Tiki Lounge Vol 1
DVD/CD - £12.99

The Best Of
2CD - £11.99

The Return To Mu
CD - £9.99

Tiki Lounge Vol 2
DVD/CD - £12.99

Thursday, 21 March 2013

Merrell Fankhauser Interviews Film Maker Charlie Booth




Published on Mar 16, 2013
Charlie talks about filming Merrell in 1977 doing "Calling From A Star" High atop Haleakala crater on Maui. Charlie also recounts a trek out into some ruins in a ancient lava field where they encounter strange sounds while filming

CURRENTLY AVAILABLE AT GONZO
Rainbow Bridge Revisited
DVD/CD - £9.99

Area 51 Suite
2CD - £9.99

Tiki Lounge Vol 1
DVD/CD - £12.99

The Best Of
2CD - £11.99

The Return To Mu
CD - £9.99

Tiki Lounge Vol 2
DVD/CD - £12.99

Wednesday, 20 February 2013

EXCLUSIVE: Merrell Fankhauser interview (Part One)


I have been wanting to interview Merrell Fankhauser for months, but - as is so often the case - events conspired against us. However, I managed to catch up with him about half an hour before he left the house to go to a very important gig...

JON: So tell me, what’s the gig you are playing tonight?

MERRELL: The gig I’m playing tonight is with my old friend Dean Torrence of Jan and Dean and his Surf City All Stars band, and he has a person now who kind of resembles his old partner, Jan Berry, and sings like him so they do the double lead harmony and they have a really nice band that they’ve had for quite  few years and since they’re in my locale tonight they’ve asked me to join them on songs and I’m shooting it for Tiki Lounge.  I’ve got my crew coming over there to shoot it also, so I’m doing Wipe Out, and Barbara Ann and Fun, Fun, Fun, and some things like that with them.

JON: That’s fantastic, I wish I was there.  I love Jan and Dean.

MERRELL: Yeah they were great, because a lot of people don’t realise this, Jon.  They were before the Beach Boys, and the Beach Boys kinda copied them, and then after a while they even employed Dean to sing some of the high parts on some of the records ‘cos he kind of invented that trade mark “oooeeeeeoooo” thing, you know. And he was friends with them – with all the Beach Boys – and they kind of did gigs together but they were actually the original band after the instrumental surf sound that coined the vocal surf sound.

JON: Was it Jan that sang the lead vocal of Barbara Ann on the Beach Boys version?

MERRELL: Exactly, and they kind of traded off back and forth, but it was mostly Jan and Dean helping the Beach Boys. 

JON: Well you were there at the beginning of the whole surf thing weren’t you?

MERRELL: Yeah.  I got to back them, I think it was about the end of ’62 or ’63 somewhere around there. They came up and they didn’t have a backing band for Pismo Beach where I played in the Rose Garden Ballroom about 200 miles from LA, and they came up for this gig without a backing band and so The Impacts backed them up back then. So I got to meet them and back them way back then and then Dean and I got back together when I was doing the Return to Mu  project which I was producing with Bill Mceuen. And we started on that in about 1992 and Dean came in and sang a lot of the harmonies with me on that and then we got together again in 2000 when I was in Hawaii doing a steady gig for about 4 months and he came over and performed with me there. So this will be kind of a reunion too because we haven’t seen each other for about 11 years now.  And I’m going to go over after I’ve done this interview with you, in a few hours and load the equipment in and we’re going to do a sound check.  I wish you were here for this, but I’ll send you a DVD of the Tiki Lounge video show,  and it will probably be posted on YouTube because the station that I am on in Michigan now – they’ve asked me for permission to post my shows that they air back there and they just posted the one which is the tribute I did on Ed Cassidy and Randy California “Experience” .

JON: I’m going to be posting a link to that sometime this week. Can you tell me about the Rainbow Bridge video?

MERRELL: As you know I lived on Maui for 14 years and I moved there in ‘73 just a year after the Jimi Hendrix Rainbow Bridge came out. And when I moved there I met a lot of people that were in the movies, and a lot of them were hippies, surfers and cosmic people that were seeing UFOs and everything, and they said Jimi was really into the whole UFO thing, and that there were even some hovering about when they were shooting over there. So we contacted the ones that we still knew where they were over there and we went over and interviewed them and it was really interesting what some of them had to say about hanging out with Hendrix and everything and then we went down to Southern California, because some of them lived down there, and we interviewed a few of those so we’ve got some really interesting interviews with, I think, an insight into some of the things that were going on with that movie with Hendrix hasn’t come out. In the original Rainbow Bridge if you saw it, it follows Pat Hartley the actress from the Sunset Strip over to O’ahu and then to Maui where she meets all these characters, and ultimately Jimi.  And the message because of all of her travels and the way it was put together kind of got lost a little bit in the different scenes and things and I talked to one of the guys from Warner Brothers who was in on the editing and he said that when they brought the film over it was in all of these bags and there was sand in it and they were almost afraid to put it on their machine, and had to clean it all and they kept going through this stuff and it was just a lot of hippies talking about cosmic stuff and getting high on drugs, and everybody kept saying “Where’s Jimi, where’s Jimi?  Where’s the concert?” You know they were afraid they weren’t going to have enough to make the movie really good, but finally they got to the movie part.  So what we did, we kind of condensed these interviews down and we would segue into some really great surfing on big waves over there, because a lot of the people that were interviewed were surfers and we have old footage of them surfing, and then we cut to surfing footage from now, and I have about ten of my newer instrumental surf songs in there with the surfing, and then it would go to a couple of band performances – there were two Maui bands that we have over there: Omar and the Wavestop Spies and The Space Patrol, who actually – the lead singer – Les Potts was in the original Rainbow Bridge movie and he’s the guy that’s shown cutting up this surf board that they smuggled some hashish I think it was to the island, and he takes a big toke and coughs his lungs out, and that’s in the movie.

JON: I have to admit, when I saw the movie it was many, many years ago and I was very stoned at the time,  and the only bits I remember were a few UFO talks and the guy coughing his lungs up.

MERRELL: Yeah well that was Les and you’ll see him then and now what he looks like and that was the interesting thing, Jon, some of these guys looked like full-on wild cosmic hippies and very young back then, and now when we photograph them, they’re all – of course – grey-haired old guys – some of them now have short hair and they look like they could be insurance salesmen or whatever… <laughs>

And this is where we leave it for today. We'll be back with Part Two, tomorrow.

CHECK OUT MERRELL FANKHAUSER AT GONZO

MERRELL FANKHAUSER: Tribute to Ed Cassidy

Monday, 18 February 2013

MERRELL FANKHAUSER: The Rainbow Bridge Video

JON: Can you tell me about the Rainbow Bridge video?

MERRELL: As you know I lived on Maui for 14 years and I moved there in ‘73 just a year after the Jimi Hendrix Rainbow Bridge came out. And when I moved there I met a lot of people that were in the movies, and a lot of them were hippies, surfers and cosmic people that were seeing UFOs and everything, and they said Jimi was really into the whole UFO thing, and that there were even some hovering about when they were shooting over there. 

So we contacted the ones that we still knew where they were over there and we went over and interviewed them and it was really interesting what some of them had to say about hanging out with Hendrix and everything and then we went down to Southern California, because some of them lived down there, and we interviewed a few of those so we’ve got some really interesting interviews with, I think, an insight into some of the things that were going on with that movie with Hendrix hasn’t come out. In the original Rainbow Bridge if you saw it, it follows Pat Hartley the actress from the Sunset Strip over to O’ahu and then to Maui where she meets all these characters, and ultimately Jimi.  And the message because of all of her travels and the way it was put together kind of got lost a little bit in the different scenes and things and I talked to one of the guys from Warner Brothers who was in on the editing and he said that when they brought the film over it was in all of these bags and there was sand in it and they were almost afraid to put it on their machine, and had to clean it all and they kept going through this stuff and it was just a lot of hippies talking about cosmic stuff and getting high on drugs, and everybody kept saying “Where’s Jimi, where’s Jimi?  Where’s the concert?” You know they were afraid they weren’t going to have enough to make the movie really good, but finally they got to the movie part.  

So what we did, we kind of condensed these interviews down and we would segue into some really great surfing on big waves over there, because a lot of the people that were interviewed were surfers and we have old footage of them surfing, and then we cut to surfing footage from now, and I have about ten of my newer instrumental surf songs in there with the surfing, and then it would go to a couple of band performances – there were two Maui bands that we have over there: Omar and the Wavestop Spies and The Space Patrol, who actually – the lead singer – Les Potts was in the original Rainbow Bridge movie and he’s the guy that’s shown cutting up this surf board that they smuggled some hashish I think it was to the island, and he takes a big toke and coughs his lungs out, and that’s in the movie.

JON: I have to admit, when I saw the movie it was many, many years ago – back when I still far too much smoked dope and the only bits I remember were a few UFO talks and the guy coughing his lungs up.

MERRELL: Yeah well that was Les and you’ll see him then and now what he looks like and that was the interesting thing, Jon, some of these guys looked like full-on wild cosmic hippies and very young back then, and now when we photograph them, they’re all – of course – grey-haired old guys – some of them now have short hair and they look like they could be insurance salesmen or whatever… <laugh>  So.. it’s interesting and Rob liked it and we’ve had a few other people who have seen it now that really think it’s good, but it won’t come out till June 4th.

CHECK OUT MERRELL FANKHAUSER AT GONZO

MERRELL FANKHAUSER WITH DEAN TORRENCE (JAN & DEAN)



MERRELL AT GONZO


Rainbow Bridge Revisited
DVD/CD - £9.99

Area 51 Suite
2CD - £9.99

Tiki Lounge Vol 1
DVD/CD - £12.99

The Best Of
2CD - £11.99

The Return To Mu
CD - £9.99

Tiki Lounge Vol 2
DVD/CD - £12.99


Monday, 15 October 2012

GONZO VIDEOGRAPHER IN IMMINENT DANGER OF BEING EXTERMINATED

Gonzo videographer Harold was caught off guard recently by a visitor from another planet and he wasn't even at Area 51.

This is all so timely as he spent the day editing the bonus dvd for Merrell Frankhausers "Area 51 - album".

Here is a sneak preview of what's in store for fans next year. In the meantime, watch out Harold or you may get exterminated - we can't have that as we have a few more dvd's we want to put out!!!!

Thursday, 23 August 2012

MERRELL FANKHAUSER ARTICLE

http://blog.musoscribe.com/?p=2928

Tiki-lounging with Merrell Fankhauser

Merrell Fankhauser‘s name is not as well-known as some others from the rock era, but he’s been an important force in the development of both surf and psychedelia. Outside of record-collecting circles, Fankhauser’s name is recognized thanks to an excellent profile/interview in Richie Unterberger‘s 1998 bookUnknown Legends of Rock’n'Roll. But thanks to a clutch of reissues and compilations, Fankhauser’s output is now readily available for modern-day audiences. In 2012, a two-volume set of episodes of his public-access-channel TV show Tiki Lounge was released on DVD, and concurrent with that release, a 2CD set entitled The Best of Merrell Fankhauser came out. That set surveys all of his work from 1963 to the present.

Fankhauser’s groups (The Exiles,Fapardokly, HMS Bounty and MU) and his solo career all showcased music that exemplified the particular styles they aimed for. It’s remarkable how often – and well – his music seems to capture the zeitgeist of the era in which it was recorded. The Exiles-to-Fapardokly era music centered around the Antelope Valley region, now known as the home of early music from Frank Zappa and Captain Beefheart. One of Merrell’s earliest musical cohorts was, he says, a “then-fourteen-year-old guitar player Jeff Cotton, who later becameAntennae Jimmy Semens in Beefheart’s band, and later joined me again in MU.”

Fapardokly’s “Super Market” (a highlight of the bonus various-artists CD packaged with Unterberger’s first book) is easily in the same league as Love‘s similarly-flavored “Alone Again Or,” a light classic from the so-called Summer of Love. (“I never heard that [comparison],” claims Fankhauser.) Yet none of Fankhauser’s music really shifted big units, never caught on in a major commercial way, despite its quality and accessibility. The Exiles singles – released on the tiny Glen records – sold a bit, as the label put them out. In 1967, Glen collected an album’s worth of what Merrell calls “random songs from 1964 to 1967” and released them using the group’s then-current “psychedelic” name, Fapardokly. But Glen’s limited distribution kept the record from getting notice beyond the region.

Merrell tells the story of first learning the commercial value of that Fapardokly LP: It was “oh, ’78 or so when two Germans looked me up when I was living on Maui. They told me [affects a German accent], ‘Oh ya. We bought der open copy of der Fapardokly album at a record fair in Berlin for only $650!’ I said, ‘Say that again?’ That was total news to me.” Shortly thereafter, Fankhauser flew back to California and “tore apart my mom’s closet. Because I knew she had about six of ‘em.” He went on to sell one to a collector in Norway for nearly twice what the Germans had paid. “Oh, you don’t have to give me that much,” he told the collector. But the Norwegian insisted. Merrell sold all but one of those copies, and the remaining copy – still sealed – is framed and on his home studio’s wall. He believes that only 1200 copies of the original were ever pressed. Of those, about a hundred went to radio stations, and about 300 sold retail. Merrell remains “flabbergasted” at the enduring (if specialist) appeal that his music from that era has with fans around the world. Thomas Pynchon‘s 2009 novel Inherent Vice even makes mention of “Super Market.”

As an aside – and going backward briefly in our chronology – Merrell claims that his earliest surf-styled Exiles recordings for the Del-Fi label – including a track called “Wipe Out,” which he insists formed the basis for the Surfaris hit of the same name – sold “a million copies” but he’s never seen any appreciable income from those sides.

HMS Bounty’s “Things” did crack the Billboard Hot 100 around 1968. “We watched our songs going up the charts, and thought, ‘This is great.’ The album was selling, so we moved down to L.A., where we did big concerts opening forCTA [later Chicago],Canned Heat and The Electric Flag.” But then HMS Bounty’s label, Uni, put its promotional efforts elsewhere: “They signed Neil Diamond, who already had one little hit on the Bang label. As soon as they signed him,” Merrell recalls, “we watched the promotion pull away from us.” That spelled the end of that band. Merrell went on to do a few sessions backed by Jim Gordon, Al Casey, Carol Kaye, Larry Knechteland other highly-regarded luminaries of the sixties music scene.

After his time with Uni was up, Fankhauser jammed with old friend Jeff Cotton (then still with Beefheart’s Magic Band), who took him aside one day and said, “I’d really like to get out of this crazy house and play with you instead.” So the pair – plus two former Exiles – formed MU.

As time went by, Fankhauser’s reputation grew in stature (if not size), and counted among his fans were some influential media types. Elliott Mintz and others suggested Merrell host his own television program. And Merrell had an untrained but natural affinity for the behind-the-scenes machinations of TV production: “I was always the guy in the studio who was asking the engineer about how he got this or that sound, and I felt the same way about TV.” He conducted some interviews with fellow musicians while he lived on Maui, and guested on some TV shows there. By 1990 these efforts led Fankhauser – by then back on the mainland – to create his own satellite TV show, California Music. After sponsorship was secured, Merrell started rounding up guests. “I put the word out to all my old friends. I got Dean Torrance and Mike Love and a whole bunch of other people. Everybody started coming out of the woodwork; even Sky Saxon!” He also got to interview (and play with, as documented on a Tiki Lounge DVD) legendary keyboardist-to-the-stars, Nicky Hopkins. In fact, Merrell’s later show Tiki Lounge often draws on vintage clips from the earlier program.

A seven-year musical project concerning what Merrell describes (with a straight face) as the Lost Continent of Mu kept him busy; the resulting record Return to MU has also recently been reissued. Gigging both in the USA and Hawaii with some heavy friends (including, oddly enough, a Stratocaster-slinging Willie Nelson!) Merrell eventually found himself “too busy for TV.” But fans within the business encouraged him to get back in the game, and so Tiki Lounge was born. “I’m up to almost ninety shows now,” says a justly-proud Fankhauser.

Having one of his songs (the 1967 Fapardokly track “Tomorrow’s Girl”) included on Rhino’s 2009 compilation Where the Action Is! L.A. Nuggets 1965-1968 certainly helped raise Fankhauser’s profile: “I think I made seven or eight record deals since that happened,” he says. “I was thinking, ‘Well, my recording career is kind of mellowing out now; maybe I’ll just fade into the sunset.’ But all of a sudden, this happens. And I’m very thankful.”

Check out his Gonzo Artist Page

Friday, 10 August 2012

LINK: Groovy Merrell Fankhauser DVD reviews

http://www.musicstreetjournal.com/index_dvd_display.cfm?id=100671

Various Artists
Merrell Fankhauser's Tiki Lounge Volume One DVD
Review by Eric Meli

This DVD is a compilation of former surf group The Impacts’ Merrell Fankhauser's cable television show “Tiki Lounge.” The first episode is based on instrumental surf with an interview with Dick Dale and a Ventures medley shot in 1989. Out of the other five episodes, one is called “Fast Cars and Rock and Roll,” which has a Huey Lewis and the News video and also a video by the Doobie Brothers.

There’s also a concert with Willie Nelson and a Spirit tribute included here. This DVD also features a 40-minute audio CD with some of the music from the “Tiki Lounge” program.


Various Artists
Merrell Fankhauser's Tiki Lounge Volume Two DVD
Review by Eric Meli

This DVD is the second group of selected episodes from Merrell Fankhauser's cable television show “Tiki Lounge” It consists of another six shows including a road trip to the Rock Creek Guitar company, and a very good cover of “All Along The Watchtower” by Fankhauser. Another episode has Fankhauser in Nevada interviewing Dr. David Jungclaus about UFOs and visiting the Little A'Le'Inn near Area 51. There’s also a interview with Mary Ramsey of 10,000 Maniacs.

The best part for me is show three, called “Classic Rock.” It contains live versions of “Born On The Bayou” and about five others songs. Like the first DVD, this one also comes with a CD of songs from the shows.


Wednesday, 8 August 2012

MERRELL FANKHAUSER: Area 51 (Dir. Jon Downes)

I'm rather proud of this. Not only is it the first pop video that I have directed which didn't feature either me, my band, or some mate of mine screaming avant garde nonsense, but I almost got arrested by Special Branch whilst making it. Although Area 51 is in Nevada, it was filmed in North Cornwall outside GCHQ.

Worryingly for the state of the nation's security, the base security forces noticed the fat hippy with an expensive camera but failed to notice to relatively small teenagers (one dressed in an alien mask) and a large, bumbling dog with impressive jowls.

The police were very nice to me when we spoke on the telephone, and I am pretty sure that I have avoided being sent to some secret interrogation facility on Diego Garcia, as they seemed to believe everything I said (which was good, considering that it was the pure and unadulterated truth)


I would like to thank the three kids:

Jessica Taylor
Hunter Ayling
Greg Braund-Phillips

You were all fantastic, and I hope that Rob gives me a budget next time so we can do the car chase scene that Greg wanted so badly.

Check out Merrell's Gonzo Artist Page

Thursday, 19 July 2012

LINK: Merrell Fankhauser review

http://www.bigwheelmagazine.com/dvd_reviews/merrell-fankhauser%E2%80%99s-tiki-lounge-set-vol-1-2/

Merrell Fankhauser’s Tiki Lounge Set Vol 1 & 2

July 12, 2012

Merrell Fankhauser’s Tiki Lounge set Vol 1 - 2 Surf rock legend Merrell Fankhauser is one hell of a guitarist and if you ever doubted that you will now think otherwise after having viewed any of his new DVD releases brought to you by Gonzo Multimedia. In these releases we see Merrell Fankhausers TV show performances of years prior along with interviews that range from over forty years ago to present time.

There is even an episode dedicated to UFO’s and the infamous Area 51 base in the Nevada desert.

I may not know much about surf rock, but I certainly respect where it came from and where it’s going and I owe a bit of that to the word of Merrell Fankhauser and this set of DVD’s that have opened my eyes to his works as well as his contemporaries here on the Tiki Lounge set.

If you are into this brand of rock, then surfs up because you will definitely love this release.

Check out his Gonzo Artist Page

MERRELL FANKHAUSER: Keep Rockin'


Merrell Fankhauser has led one of the most diverse and interesting careers in music. He was born in Louisville, Kentucky, and moved to California when he was 13 years old. Merrell went on to become one of the innovators of surf music and psychedelic folk rock. His travels from Hollywood to his 15 year jungle experience on the island of Maui have been documented in numerous music books and magazines in the United States and Europe, including an in-depth interview in Goldmine in 1996. Merrell has gained legendary international status throughout the field of rock music. His credits include over 250 songs published and released. He is a multi-talented singer/songwriter and unique guitar player whose sound has delighted listeners for over 50 years. In addition to a long and successful career of performing and recording, Merrell has hosted his own popular radio and television shows.

5 Questions with MERRELL FANKHAUSER

1. Liz & Lou: Who were your main musical influences?

Merrell: When I was around 11 years old I got a ukulele. My dad showed me some chords and I started trying to figure out songs off of the radio in the mid 50's, around the time of the birth of Rock & Roll. I listened to the early Doo Wop groups and heard Carl Perkins doing "Blue Suede Shoes" and he really sparked my interest, and then many other bands and artists that followed like Elvis Presley, Buddy Holly and Ricky Nelson.

2. Liz & Lou: Do you have a particular memory from your career that stands out in your mind?

Merrell: A memory that really stands out in my mind happened around 1960 when I was asked by the manager of a local movie theater to do a few songs between the Saturday matinee shows. I would do a few Carl Perkins, Elvis Presley and Ricky Nelson songs, and they paid me $12! After a performance I went out in the lobby and was mobbed by screaming teenage girls wanting my autograph! I did the theater gig solo for about a year and that was really the beginning of my music career.

Find out more from:

KEEP ROCKIN' MAGAZINE
PO Box 608
Naperville, IL 60566

Check out his Gonzo Artist Page

Thursday, 12 July 2012

MERRELL FANKHAUSER REVIEW


amg review
Folks have outfitted Merrell Fankhauser with a lot of labels throughout a career which has found him moving through rockabilly, surf, folk, and psychedelic singer/songwriter fare to his so-called “surfadelica” phase and beyond, and he’s sampled and been all of these things, both as a solo artist and with his bands through the years, which include the surf outfit the Impacts, Merrell & the Exiles, Farardokly, H.M.S. Bounty (arguably his creative high point), Mu, the Fankhauser-Cassidy Blues Band, and in 1995, he reunited the Impacts. In truth, he sounds like a songwriter and musician who has adapted to the changing whims of the music business, trying to fit in at the edges of each new sound each new decade, until he finally returned completely to his surf roots. This set surveys these changes, and it includes some wonderful tracks like the fuzz classic “Drivin’ Sideways (On a One Way Street),” the modal “Blue Jay Blue” (full of wonderful, floating harmonies), the drive anthems “Workin’ in the City” and “Goin’ South,” and a pair of late surf sides, the joyous and raucous “Surfin’ Pismo” and the bouncy and Jimmy Buffett-like “Tiki Lounge.” He may not be quite as exploratory and out there as his reputation holds, but Fankhauser is still never less than quirky and interesting. His career is concisely sampled and surveyed here. ~ Steve Leggett, Rovi

Thursday, 5 July 2012

LINK: Merrell Fankhauser review




amg review
Folks have outfitted Merrell Fankhauser with a lot of labels throughout a career which has found him moving through rockabilly, surf, folk, and psychedelic singer/songwriter fare to his so-called “surfadelica” phase and beyond, and he’s sampled and been all of these things, both as a solo artist and with his bands through the years, which include the surf outfit the Impacts, Merrell & the Exiles, Farardokly, H.M.S. Bounty (arguably his creative high point), Mu, the Fankhauser-Cassidy Blues Band, and in 1995, he reunited the Impacts. In truth, he sounds like a songwriter and musician who has adapted to the changing whims of the music business, trying to fit in at the edges of each new sound each new decade, until he finally returned completely to his surf roots. This set surveys these changes, and it includes some wonderful tracks like the fuzz classic “Drivin’ Sideways (On a One Way Street),” the modal “Blue Jay Blue” (full of wonderful, floating harmonies), the drive anthems “Workin’ in the City” and “Goin’ South,” and a pair of late surf sides, the joyous and raucous “Surfin’ Pismo” and the bouncy and Jimmy Buffett-like “Tiki Lounge.” He may not be quite as exploratory and out there as his reputation holds, but Fankhauser is still never less than quirky and interesting. His career is concisely sampled and surveyed here. ~ Steve Leggett, Rovi


Check him out at Gonzo

Saturday, 30 June 2012

MERRELL FANKHAUSER WRITES...

Jon,

Wow, I was surprised you found that interview I did with Klemen Breznicar! Its probably the most complete to date with all those rare pictures. Thanks for posting it.Were playing the Monterey Pop Festival this year Sept. 29th where Hendrix and others were discovered during the 67' Summer Of Love...

Also working on a video documentary with interviews with cast members from the Jimi Hendrix movie 'Rainbow Bridge", it will be titled "Rainbow Bridge Revisited".

All My Best,

Merrell.

So I wrote back and extracted a promise from him that he would take lots of pictures and tell Gonzo Daily all aboout it...




Thursday, 21 June 2012

LINK: Merrell Fankhauser review

http://www.therocktologist.com/fankhauser-merrell---the-best-of-merrell-fankhauser.html

Fankhauser, Merrell - The Best of Merrell Fankhauser

Picture
Review by: Daniel Pavlica
To say that Merrell Fankhauser’s career was marginally diverse would be a masterpiece of understatement. In the last four decades he tackled a truly extraordinary cocktail of musical genres, more or less successfully reaching from surf, folk rock and blues rock to spaced out psychedelia. Happily for all, compiled on a two CD set, this Merrell Fankhauser “best of” will undoubtedly satisfy anyone wanting a user friendly Fankhauser overview, as it brings joy for the more determined music collector too.

Check you secret pockets for any pills you may have unknowinglymisplaced because this is a trip where daydreams and imagination dance hand in hand. As soon as things get rolling we find Merrell Fankhauser perching on top of a weird mix of musical styles. Clearly Merrell was into everything and anything whenever the smallest opportunity popped up. Its fascinating how often this seemingly enthusiast like experimenting came up with extraordinary results. Even if extensive radio play remained elusive a good indication of the numerous possibilities was given. With “She’s Gone” Merrell and the Exiles walk the peculiar path between typical 60s R&B grooves and spongy The Beatles like tunes. “Driving Sideways (On A One Way Street)” drops in some extra acid and pychedelia, while “I am Flyin’ Home” draws parallels with a non offending Rare Earth caricature.

The MU period is presented with four numbers. Here lay a reminder of how unconventionally innovative this remarkable outfit really was. “One More Day” is a great blues inspired tune feathered with beach like lightheartedness while “The Land Of MU” dives straight into folk rock psychedelia. When going solo Merrell proves much mellower and theme focused. “On Our Way To Hana” sees him practicing hippie love, while “Make A Joyful Noise” and “Some Of Them Escaped It All” are again both folk tinged gemstones.

Disk two is a showcase of Merrell’s works from 1978 onwards. In this time experimenting with styles and moods became much more streamlined. At this point accessible stuff starts creeping in to the detriment of musical creativity Fankhauser is famed for. Much of Merrell’s personality gets lost with numbers like “Waterfall”and “Queen MU”. Here Merrell is at his best when dressing up in syntetisized colors of “Calling From a Star” and ska influenced “Alien Talk”. Notwithstanding the fact that Merrell’s style shifting may seem chaotic or at least hard to follow still the general consensus remains that surf is the best and the man’s most representative tool of trade. On “Two Vegetarians” he returns flashing some of the old surf magic. A quick dive into previously unreleased tracks proves to be a thing of mixed fortunes (just try tackling the fabricated melancholy of “When Merrell Met Jane”) except for the long running fans who will undoubtedly treasure these uncovered workouts. Speaking of those hard to come by moments, “Haiku Jam” is definitely worth checking out. “Surfin’ Prismo” may lack the spark and sparkle of his best works, but in the end still manages survive somehow as one of the disks bright spots.

6 out of 10

A review copy of this album was provided by the record label Gonzo Multimedia
...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?

Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.