But, of course, it all starts with drums, Laing’s first weapon of choice, before “Terrace Of The Gods” waltzes off from onto the power prog plateau from the unplugged Delta swampiness to descend to the rockabilly of “Perfect Boy” and the BEACH BOYS-inspired punk of “College Girls,” female singers – among them TANG’s Bonnie Parker and Denny Colt – contrasting Corky’s incantations and going all riot grrrl in “My Brother’s Gonna Die.” Once the harmonies are reined in on a heavy level, so effusively riffy on “Crying Shame” and instrumental “Sisterhood,” SPIN DOCTORS’ Eric Schenkman spikes the desperate “Father’s Lament” and “Jupiter” with a heightened poignancy, whereas simple, if moving, percussion renders “Eyes In The Mirror” heartbreaking, and “Meltdown” turns the similarly folky flow into electric lava. With theatricality kept to a minimum and played out towards the end, in the choral “Mr C’s Demise,” this opera delivers its anxious message impressively, with not one iota of edification, and is another glorious achievement for Corky.
CURRENTLY AVAILABLE FROM GONZO
Playing God
CD - £9.99
CD - £9.99
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