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The line-up is Bill Bruford, John Wetton, David Cross and Robert Fripp.
1 - Larks’ Tongues in Aspic, Part II
2 - The Night Watch
3 - Lament
4 - Starless
Larks’ Tongues here is frighteningly good.
The quality is great, but it’s even better on the deluxe 40th Anniversary Series edition of Red that came out in 2009. That release, with Steve Wilson’s insane 5.1 surround mix of the album (done with Robert Fripp’s participation), sounds like a jet plane lifting off inside your living room skull. Red happens to be one of the heaviest rock albums of all time. Crank it up loud enough and the sonic power of that album can blow you away like a feather in the wind. Most King Crimson albums I find to be a bit spotty (some of them are really spotty, in fact) but when they lock into a serious groove, like on Red’s unfuckingbelievable title cut, well it’s awe-inspiring.
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