While craftsmanship, training, and hard work1 are the keystones of Cohen’s songwriting, it would be disingenuous not to note his conviction that metaphysical, almost supernatural forces are also at work:
If I knew where the good songs came from, I’d go there more often. [Songwriting] is much like the life of a Catholic nun. You’re married to a mystery.2
It’s something that you can’t talk about outside the moment, how it comes and when, how it’s done exactly. … It’s nothing to lament or regret.” Songs are a gift and I have had my share — if there are no more than there are no more. If there are more then I will be grateful, but it’s nothing that you can speak about because these are curious events that you can’t command.3
...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?
Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.