Monday, 31 March 2014


It's one of the great ironies in Alan White's career that he came to fame in the shadow of the drummer he replaced in Yes, Bill Bruford. In a way it was neither musician's fault — Bruford was considered, after Carl Palmer, the hottest drummer in England, while White had, in the public's perception, played in a few highly visible bands and gigs without a lot of acclaim. In fact, at 23 years of age, he had a decade's experience as a professional musician. White's father was an amateur pianist, and his own first instrument was the piano. He gravitated toward the drums, however, and at age 12 he got his own drum kit from his uncle, who was also a drummer.

He quickly abandoned lessons in favor of developing his own style and approach. By 13, he was playing in a group called the Downbeats and becoming the subject of local press articles because of his age. In his mid-teens, White was playing gigs seven nights a week for a good part of the year, primarily doing covers of Beatles and other British beat tunes of the early to mid-'60s. White tried studying technical drawing, with the hope of eventually pursuing a career as an architect, but musical success intervened when his group, rechristened the Blue Chips, got a contract with Polygram Records after winning a Melody Maker band contest in London.

They cut a single in 1965, and sometime after that White joined Billy Fury's backing band, the Gamblers, spending three months playing with them in Germany during 1966. White passed through the lineups of a lot of short-lived late-'60s outfits including Ginger Baker's Airforce (playing some keyboards there as well), where he was in the unfortunate position of working alongside legendary drummer Phil Seaman, who managed to eclipse his younger colleague at every turn. From that group, he moved on to a brief tenure in Balls alongside Denny Laine and Trevor Burton, late of the Moody Blues and the Move, respectively, and Graham Bond, and then played with Joe Cocker.

He also spent two years as a member of Terry Reid's band. It was in 1969 that he got his highest exposure, however, as a member of John Lennon's Plastic Ono Band. Lennon first pressed White into service for the Toronto Rock 'n Roll Revival show that became the Live Peace In Toronto album, although at the time no LP was intended — by sheer luck, the existence of a bootleg release resulted in an official Apple Records LP that sold millions of copies, and had White's name placed on an equal footing in the band credits with Lennon and Eric Clapton.

He also played on the single "Instant Karma" and on the Imagine album, which were some of the hottest records of the era. White played on albums by George Harrison, Doris Troy, Gary Wright, and Alan Price between 1969 and 1972. Additionally, Price had worked as the producer with a band of White's called Griffin, which included Graham Bell, Ken Craddock, Pete Kirtley, and Colin Gibson, who had cut an LP in 1969. He was getting as much exposure as any British drummer of the era when his entry to Yes took place. The group's original drummer, Bill Bruford, had already carved out a name for himself in four years with the group that made him the idol of tens of thousands of aspiring drummers around the world. Known for his complex rhythms and a very jazz-influenced approach to playing, Bruford had become both popular and respected as a member of Yes. He had also grown unhappy, however, with some of the music that the group was generating on their fifth album, Close to the Edge.

Read on...

Union (Standard DVD)
DVD - £9.99

Union (2CD)
2CD - £7.99

Rock Of The 70's
DVD - £12.99

The Lost Broadcasts
DVD - £7.99

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