Monday 18 November 2019

Double Dutch: Two for the price of one as Mario van Os reviews The Progressive Underground



Posted on the Dutch site Progwereld - translated using Google Translate

https://www.progwereld.org/recensie/kev-rowland-the-progressive-underground/


It may be hard to imagine, but at the end of the 1980s / early 1990s, the internet was not yet widely known and available to everyone. Large websites with information or easy search for information about things that interest you were not among them.

In those days too, progressive music was an underexposed and not widely known music movement that could certainly not be heard on the radio. Music was discussed and shared via fanzines, online newsletters and direct contacts. The prog music continued to grow through the exchange of music via cassette tapes. I remember, among other things, a worldwide exchange project, "Desert Island Tapes", where a compilation tape was distributed via a kind of chain letter. In this way "our" music could still be discovered and remain known in the "underground" circuit.

In the Netherlands we received the independent magazine Sym-info, later SI Magazine and now known as iO-Pages, that could be picked up as a stenciled pack of paper at the better record stores. We also received e-zines newsletters, which are sent via e-mail as a subscription - and later websites like DPRP (1995) and Progwereld (2001) were born.

At the time, Kev Rowland started writing for Feedback, a fanzine about all facets of progressive music. In "The Progressive Underground" all the reviews and interviews are included that Rowland has done in the period 1991 through 2006 (from the founding to his move to New Zealand). The work is divided into three parts because the whole - more than half a million words! - is simply too large for one book. The first part, which appeared on March 1, 2019, contains all album reviews from A (.CT) to H (usband, Gary) and the second part, which recently appeared on October 1, 2019, contains all album reviews from I (con) to S (yzygy). The third part, which will be released at the end of this year, will then contain all remaining album reviews (T - Z), all DVD / video / live reviews and interviews.

In total an impressive archive of the most diverse progressive rock in a period of sixteen years. A period that - after the early 1970s of the progrock with names such as Jethro Tull, Genesis, Pink Floyd, King Crimson, ELP and Gentle Giant - is characteristic of the current progressive rock genre. And the rise of Marillion, Arena, Galahad and Porcupine Tree. But in addition to the big names in the prog, Rowland treats a multitude of small, sometimes still unknown, bands. Now that they are included in this archive, nobody can forget them anymore.

The fact that Rowland is known in the progressive rock scene, with labels, bands and other prog magazines and websites, is evident from the impressive track record of this author. Many musicians would like to be discussed and sent their music from the start. Thanks in part to this pioneering work, we can also do our work here. Many bands may also owe their fame to the reviews of Rowland. A band like Big Big Train became known after reviews by Kev Rowland. It says enough that Greg Spawton and Clive Nolan on the back of the first volume also give their review and acknowledgments on this book.
The first volume also has a Foreword by Stu Nicholson (Galahad), while the second volume is introduced by Mark Colton (Credo), with commentaries by Nick Barrett (Pendragon) and Martin Orford (IQ, Jadis) on the back.

This impressive merger by Kev Rowland from the period 1991 to 2006 comprises a total of more than 900 pages of reviews, interviews and live reviews. It thus gives a nice picture of the resurrection of progressive music, which despite the silence of the radio and lack of media publicity, could develop into the music stream that we all love so much. And this perhaps (partly) thanks to Kev Rowland and all his colleagues at magazines, fanzines and websites, who continue to believe in this beautiful music. By the way, Kev Rowland is by no means ready to give his assessments to contemporary prog music. He is an important employee at Progarchives, who already has many reviews to his name.


CURRENTLY AVAILABLE FROM GONZO

The Progressive Underground Vol 1
Book - £12.99

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What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?

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