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Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.

Wednesday, 26 August 2015

Geoff Downes talks up Yes’ often-forgotten Drama: ‘It’s a quite astonishing piece of work’



Geoff Downes’ initial, turn-of-the-1980s involvement with Yes began at a crossroads moment for the band, as he replaced long-time keyboardist Rick Wakeman even as original frontman Jon Anderson departed. He still understood the opportunity.
“In some ways, it was a stepping stone,” says Downes, now in his second stint with Yes. “But I think it was a real privilege to play with a band that was so revered. As a keyboard player, coming into someone like Rick Wakeman’s shoes — it was a challenge.”
The resulting album Drama, released on August 18, 1980, would focus more on guitarist Steve Howe — dividing the loyalties of Yes’ fanbase. But not Geoff Downes’.
“I’m actually very proud of it,” Downes says. “I think, in hindsight, it’s a quite astonishing piece of work — particularly when you think that we’d only just come together as an outfit. I’m really proud of some of the material. The performing on there, and the parts — the whole way it’s put together, the contrasts, the different songs like ‘White Car’ or ‘Run to the Light,’ then you’ve got the epic ‘Machine Messiah’ and this frantic track ‘Tempus Fugit.’ I think we definitely had something right with that album; certainly, the chemistry of those involved was definitely working.”
Jon Anderson eventually returned for 1983’s 90125, and by then Asia had become home for both Steve Howe and Geoff Downes. Trevor Horn, who had briefly filled in for Anderson, moved to the producer’s chair for Yes — but the music of Drama would become unplayed on subsequent tours, and largely forgotten.

CURRENTLY AVAILABLE FROM YES AT GONZO
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Union
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Rock Of The 70's
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The Lost Broadcasts
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Rock of the 70s
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