There are hints of what’s to come for the world’s greatest progressive rock band on “I See You” from Yes’ self-titled debut, but there are also many tentative elements remaining. The song, a Byrds cover written by Roger McQuinn and David Crosby, is likely best remembered as a indicator of Yes’ early interest in humble folk rock. There’s more to it than that, however.
Founding Yes drummer Bill Bruford provides a driving and nuanced drum foundation, which may well be the highlight of the track. His cymbal and snare work are hardly common rock fare as he plays on top of the kick — using the ride cymbal as effectively as many of his jazz brethren. Tony Kaye also shows his meddle with manic Hammond sweeps and stabs.
Still, it’s hard to believe this is the same band that would soon compose and play “Yours Is No Disgrace.” By then, of course, Yes had moved on without guitarist Peter Banks, whose multi-colored lead and solo push “I See You” from folk rock to psychedelic rock, and back. Banks is explosive, exciting and dangerous.
Still, it’s hard to believe this is the same band that would soon compose and play “Yours Is No Disgrace.” By then, of course, Yes had moved on without guitarist Peter Banks, whose multi-colored lead and solo push “I See You” from folk rock to psychedelic rock, and back. Banks is explosive, exciting and dangerous.
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