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Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.

Thursday, 17 December 2015

50 Years Ago: The Byrds Avoid the Sophomore Slump on ‘Turn! Turn! Turn!’

In June 21, 1965, a band out of Southern California named the Byrds signaled the beginnings of the soon-to-be wildly popular folk-rock movement with its debut record Mr. Tambourine Man. Just a little bit under six months later, on Dec. 6, 1965 they furthered the cause and reached an even wider audience with the release of their seminal album Turn! Turn! Turn!

Comprised of six covers of folk songs — including takes on Bob Dylan’s “The Times They Are a-Changin’” and “Lay Down Your Weary Tune” — and five originals, Turn! Turn! Turn! built on the sonic formula that the band had established on its first release by marrying gorgeous, multi-layered vocal harmonies with the signature sound of bandleader Roger McGuinn’ssinging 12-string Rickenbacker guitar.

In an interview years after the fact, McGuinn revealed how he came upon the group’s era-defining chime. “The sound that I have on the electric 12-string came about because I played the five string banjo before I’d played the electric 12-string,” he explained. “I’d developed a number of rolling pick patterns that I applied to the electric 12-string. So if you listen to the rhythm work on say, “Turn! Turn! Turn!”, you’ll hear a rolling arpeggio pattern underneath. That’s me playing the electric 12-string. Then I played the lead break on the G string going up and down the neck.”

The album’s title track and lead off single was actually a take on a Pete Seeger song from the ’50s that the singer had built out of a passage from the Book of Ecclesiastes in the Bible. Shortly after debuting in October, the single took off like shot up the charts before finally taking over the top spot just two days before the full record went on sale. The song seemingly galvanized the burgeoning counter-culture youth movement in America who, at that moment, were just beginning to question those in positions of institutional authority and express opposition to an increase in America’s involvement in the war in Vietnam and the compulsory draft system.

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