...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?
Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.
Friday, 20 April 2012
LINK: Wally review
"Wally" is a rather nondescript name when you see it on an album cover. It could be a one man band project or the musical vanity plate for a band driven by the principal songwriter. In this case, Wally is a British progressive band that for nearly 40 years has been most active via the vinyl albums gathering dust in the collections of the music fans who once knew them.
Knowing the material's pedigree, you can certainly hear the vintage threads in the music they put down in the studio. But at the same time, it sounds remarkably current, when laid end to end with the progressive music that is still being made today. The Wally sound is an interesting hybrid that is both psychedelic and country-infused. Webber's songwriting for me, recalls some of the elements that I really love about Mark Knopfler and Dire Straits, both from a guitar and vocal standpoint.
"Thrill Is Gone" digs in for the kill a mere three tracks into the album, with some hefty guitar shredding and soloing throughout the track, which is a bluesy barn burner that comes a bit out of nowhere after the first couple of songs which are quite sedate by comparison.