...BECAUSE SOME OF US THINK THAT THIS STUFF IS IMPORTANT
What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?

Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.

Thursday, 30 August 2012

LINK: Interview with Trevor Rabin

This interview was conducted by e-mail in July 2012 and my thanks to Trevor, and to Ron DeVivo for organising it. We focus on Trevor's recent solo release, Jacaranda, later in the interview, but we start with some broader questions, looking across Trevor's long career, from commercial success with Rabbitt in South Africa, to his time in Yes, and writing film scores.

If the questions seem a bit odd(!), I was asked specifically for questions away from the usual, so I took this opportunity to quiz Trevor about a variety of topics from some unusual angles. To improve readability, I have re-arranged the order of questions and done a bit of editing.

Henry: You went from being this huge success with Rabbitt in South Africa to coming to the UK and a less commercially successful solo career, and then back to huge audiences with Yes. What was that journey like for your self-esteem? Do the periods of big success carry you through the other times, or do they just make you more frustrated when every album doesn’t sell as well? Do you think of the fans of different parts of your musical life – Rabbitt, Yes, film scores – as being separate groups, or are you keen to pull them along with you as your work evolves?

Read on...

No comments:

Post a Comment

 

Copyright 2010 The Gonzo Daily.

Theme by WordpressCenter.com.
Blogger Template by Beta Templates.