What happens when you mix what is - arguably - the world's most interesting record company, with an anarchist manic-depressive rock music historian polymath, and a method of dissemination which means that a daily rock-music magazine can be almost instantaneous?

Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.

Thursday, 16 April 2015

Yes man offers the personal touch with his new show

Rick Wakeman. Photo: Lee Wilkinson.
Rick Wakeman. Photo: Lee Wilkinson.
RICK Wakeman has a lot of tales to tell.
In the prog rock era he was usually to be found behind a bank of keyboards — and clad in a cape — with supergroup Yes.
Away from the group he also had a sideline in his own concept albums like The Six Wives of Henry VIII and Jules Verne’s Journey to The Centre of The Earth.
More recently he has earned a reputation as a raconteur and wry observer of modern life, not only with his own live show, a sell out success on the Edinburgh Fringe, by television and radio appearances including Grumpy Old Men and Just A Minute.
Certainly he has a fund of stories to share from throughout a career that started off back in the mid-1960s.
YOU have worked with just about everybody when you were a session musician in the sixties and seventies. How did you get into that kind of work?
 I started session work in about 1966 when I was still at the Royal Academy of Music. It was mainly for the BBC at first and then I did a lot of records. If you did a good job, the word would get around by word of mouth. This was very important (and a cheap form of advertising) back then.
 When you joined the Prog Rock band Yes in 1971, you became a superstar and that era was known for its’ excesses. What was the most hilarious thing you witnessed?
Too many to mention really (and I’ve written quite a few of them in books already), but I think the most off the wall thing was when we build a farmyard in a London studio when we were recording the Topographic Oceans album. We wanted to feel that we were in the country. It was all well and good until I had to have some of my keyboards taken apart to remove the woodlice.
Gole/Almost Live in Europe
2CD - £9.99

Fields of Green/Always With You
2CD - £9.99

1984/Out There
2CD - £9.99

Night Music
CD/DVD - £9.99

Live At The Empire Pool - King Arthur On Ice
DVD/CD - £9.99

1984 - Live At The Hammersmith Odeon 1981
DVD/CD - £9.99

Live in Lincoln Cathedral
2CD - £7.99

Live At The Maltings 1976
DVD/CD - £9.99

Video Vaults
6DVD box - £85.00

Cirque Surreal 
CD - £7.99

CD - £9.99

CD - £9.99

Cost Of Living 
CD - £9.99

The Mixture
CD - £7.99

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