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Most of this blog is related in some way to the music, books and films produced by Gonzo Multimedia, but the editor has a grasshopper mind and so also writes about all sorts of cultural issues which interest him, and which he hopes will interest you as well.

Thursday, 25 October 2012

LINK: Gordon Giltrap and Oliver Wakeman - Brook Theatre Chatham

I had a fantastic night out last night, Mrs F and I went to a packed Brook Theatre in Chatham to see Gordon Giltrap and Oliver Wakeman in concert.  Right - yes Oliver, not Rick who Gordon has collaborated in the past with but Oliver is now working with Gordon on a new album "Ravens and Lullabies" due out in a couple of months.

Any regular readers of this blog will know that Mr Giltrap is one of my heroes having seen him in many concerts, bought a load of his albums, struggled over learning his pieces, bought one of his signature guitars and had the privilege of meeting him at a workshop some years back in Margate.  So this review will be biased! :-)

Brilliant night - a couple of pieces off the new CD, one played in a "unique arrangement", i.e. I think Gordon went wrong somewhere but frankly I don't think anyone in the audience noticed at all - I certainly didn't.  Some of Gordon's famous pieces worked with brilliant accompaniment from Oliver - Isabella's Wedding shone out in this regard for me.  Oliver introduced several pieces of his from his back solo catalogue again with Gordon adding some great additional guitar parts.  One thing it was interesting to watch Gordon on these pieces and the Bach one they did as well.  Gordon was "out of his comfort zone" I think, these aren't pieces he had years and years to nail and as any musician  will know once you are playing with someone else there is a higher degree of rigour in how and what you play, if you are solo you can be freer with your timing etc. as there is no-one else needing to be understanding of it.  Also Gordon was studying his "music" carefully at many points - but I don't believe he actually can read music - I'd love to know what he uses, some form of tabulature no doubt, but with rhythmic symbols or not etc. Whatever the performance was still flawless on both sides of the stage.


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