Tuesday 27 November 2012

ABWH German review translated

http://rocktimes.de/gesamt/a/anderson_bruford_wakeman_howe/live_at_the_nec.html
"An Evening of Yes Music Plus ..." was the motto of the 1989 UK tour of Anderson Bruford Wakeman Howe . Today we would use the term 'supergroup', but at the time was this word not yet so familiar.You wanted (but could not) the crowd-pulling names Yes use, although this line-up would have been probably more right to do so, as the Yes -formation about the same time by Chris Squire was led by the U.S.. 

Over the four protagonists need probably lose no more words. Whose artistic focus and many classics created things have a profound impact in music history. Viewed from the reputation they had quietly Tony Levin can integrate into the signature - but it was limited to the Yes -members.

"Live At The NEC" on 24 October 1989 recorded during the said UK tour by the BBC. The deluxe set offers both CDs are a bonus DVD, which, however, is hardly worth mentioning. Additional keyboardistJulian Beck Cole is for the black and white amateur footage responsible, showing the band (completely free commentary) in the backstage area and the sound check and some live clips. After the gig you can Jon Anderson in blowing out the 45 candles watching his birthday cake, the only halfway spectacular moment of just over 26 minutes playing DVD.

The evening begins purely acoustic caused in the first twenty minutes once a deep frown. "Time And A Word", "Owner Of A Lonely Heart" and "Teakbois" are cobbled together more bad than good to a medley - 'fit' does little here. Then get Steve Howe with two acoustic numbers from his Yes'between early stage, "Clap" and "Mood For A Day", but an enchanting solo performance, but as with the following "Wakeman Solo", one misses a common act of the band initially painful . It seems that would be considered here three exceptional musicians playing side by side ... With an OF Yes -popular song, "Long Distance Rounaround" seem Anderson Bruford Wakeman Howe to reflect on their common concern, this hope is, however, already after just over three minutes by an - admittedly brilliant - Bruford 'sches drum solo once nullified . 

But one finds yet another - and how! With "Birthright", the first common Anderson Bruford Wakeman Howe Number of eponymous album, the first highlight is celebrated. And after two monumental works from the same end a monolith "Close To The Edge" (1972), "And You And I" and the title track, one after the botched launch reconciled only once halfway.
On the second CD of live pimped to a septet of four then pulls out all the stops of his skills and makes use of mainly the songs of more than three months before released "Anderson Bruford Wakeman Howe". The very catchy and melodic "Themes" is crowned by a giant bass drum duel.Bruford and Levin draw here the very large, artistic cutlery! 'Fit' at an advanced stage of a concert including those just solo deposits better than at the beginning. 

With "Brother Of Mine" one uses much more convincing modern elements than at the "90,125" times.The quiet ballad "The Meeting" is more of an interlude before one with "Heart Of The Sunrise" again a moody Yes classics (from the 1971 "Fragile") intake of material. The four-part "Order Of The Universe" - a new number - impressed with feather-light melodies with powerful keyboard with fanfare. Is there any prog fan who "Roundabout", the opening track of "Fragile" is not revered, deeply?This nearly fourteen-minute epic ends the regular set befitting. The rousing encore "Starship Trooper" agrees a strange launched, but perfectly enhancing live set.

The question of whether the bonus DVD of the deluxe edition of "Live At The NEC" really needs and the double CD is not quite enough, is quite justified and needs to the interested reader to answer for themselves. 

Despite remarkable weaknesses at the beginning, this Triple-pane but taken as a whole a rather pleasing historical document of Anderson Bruford Wakeman Howe , the half a year later, and 74 shows around the world were already history.

Line-up:
Jon Anderson (vocals) 
Bill Bruford (drums), 
Rick Wakeman (keyboards), 
Steve Howe (guitar), Tony Levin (bass) Julian Beck Cole (keyboards) Milton MacDonald (guitar) 

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